9 Best Law Media & the Law

List Updated May 2020

Bestselling Law Media & the Law in 2020


Mass Media Law

Mass Media Law
BESTSELLER NO. 1 in 2020

Media Law: Cases and Materials (University Casebook Series)

Media Law: Cases and Materials (University Casebook Series)
BESTSELLER NO. 2 in 2020

Digital Media Law

Digital Media Law
BESTSELLER NO. 3 in 2020

Social Media Communication: Concepts, Practices, Data, Law and Ethics

Social Media Communication: Concepts, Practices, Data, Law and Ethics
BESTSELLER NO. 4 in 2020

Social Media Law in a Nutshell (Nutshells)

Social Media Law in a Nutshell (Nutshells)
BESTSELLER NO. 5 in 2020

Laws of Media: The New Science

Laws of Media: The New Science
BESTSELLER NO. 6 in 2020
  • Used Book in Good Condition

Lover-in-Law Complete OVA Kitty Media

Lover-in-Law Complete OVA Kitty Media
BESTSELLER NO. 7 in 2020
  • Bible Black
  • Manga
  • anime
  • Berserk
  • hentai

The Associated Press Stylebook 2017: and Briefing on Media Law (Associated Press Stylebook and Briefing on Media Law)

The Associated Press Stylebook 2017: and Briefing on Media Law (Associated Press Stylebook and Briefing on Media Law)
BESTSELLER NO. 8 in 2020

The Law

The Law
BESTSELLER NO. 9 in 2020

"Broken Hearts Club" Illustrates New Model for Independent Films and Self-Distribution

Broken Hearts Club, the critical darling of film festivals all over the world, finds home at IndieFlix, creating its own model for self-distribution. Using social media and traditional PR as its foundation, the strategy is simple: spread the word.

Following a successful film festival run that included the Hollywood Black Film Festival in Beverly Hills, the Portobello Film Festival in the United Kingdom, the Wreck-Beach Film Festival in Canada and the Festival of Independent Cinema in Italy, producers of Broken Hearts Club were contacted by several independent distributors. With offers that ranged from bad to worse, the producers decided to venture out on their own. Armed with a non-exclusive arrangement with Goliath Promotions, Broken Hearts Club slowly made it way out to audiences on the AMGTV and RTV television networks. Throught licensed airtime on small stations across the US, [i]Broken Hearts Club[/i] made its way into the hearts of Midwesterners in limited regions and markets.

In the plight of independent filmmakers taking a do-it-yourself approach to distribution, sometimes bad news is good news. "We knew we were on to something good, when a version of the film that was edited for language caused a ruckus in Kansas," said director Angelo Bell. "A few inappropriate words slipped through the cracks and viewers called the station to complain. This told us that people were watching!"

The producers of Broken Hearts Club use a holistic approach to distribution by stimulating organic growth in the film's audience through social media. "Facebook, Myspace, Twitter and blogs () have helped bring awareness of the film to a wider audience," Angelo confirmed. Broken Hearts Club has had a presence on Myspace for two years and a growing group page on Facebook since 2020. To build their audience, the producers teamed up with singer/songwriters Alex Nackman and Chris Blake, who have large followings on Myspace and Facebook. The film uses songs by the artists, "Proximity" and "Happiness" respectively. As a result of the film's international audience, Angelo Bell has secured work consulting on projects as far away as Paris, France. However, the focus is on spreading the word about Broken Hearts Club].

"As a filmmaker it's always exciting to work on a new project, but our film was just released on IndieFlix and marketing is a priority." The film is available for immediate viewing here: is dedicated to providing a forum for filmmakers and their audience to interact and to building a community that translates artistic vision into commercial success. Commercial success is the operative word and a hybrid approach requires multiple channels. In addition to its availability on IndieFlix on DVD and streaming video rental, Broken Hearts Club will soon be on Amazon and Netflix. Later this year the film goes to European and African television, reaching a potential audience of 20 million on the Global Broadcast network and the African Broadcast Network.

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